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You Look Just Like a Girl Again Lyrics

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1966 song past Bob Dylan

1966 single by Bob Dylan

"Just Similar a Woman"
JustLikeaWoman.jpg
Single past Bob Dylan
from the album Blonde on Blonde
B-side "Manifestly 5 Believers"
Released August 18, 1966 (1966-08-18)
Recorded March 8, 1966
Studio Columbia, Nashville, Tennessee
Genre
  • Folk rock[one]
  • popular[2]
  • country rock[3]
Length
  • iv:53 (album version)
  • 2:56 (unmarried edit)
Label Columbia
Songwriter(south) Bob Dylan
Producer(s) Bob Johnston
Bob Dylan singles chronology
"I Want Yous"
(1966) 		"Just Similar a Woman"
(1966) 		"Leopard-Skin Pill-Box Hat"
(1967)
Audio
"Just Like a Woman" (Take 1) on YouTube

"Just Like a Woman" is a song written by Bob Dylan and first released on his 1966 album, Blonde on Blonde.[4] It was also released every bit a single in the U.Due south. during August 1966 and peaked at #33 on the Billboard Hot 100.[5] Dylan'south recording of "Just Similar a Woman" was not issued as a single in the United kingdom but the British beat out grouping, Manfred Mann, did release a hit unmarried version of the song in July 1966, which peaked at #10 on the UK Singles Chart.[6] In 2011, Rolling Stone magazine ranked Dylan's version of the vocal at #232 in their list of the 500 Greatest Songs of All Time.[vii]

Writing and recording [edit]

In the anthology notes of his 1985 compilation, Biograph, Dylan claimed that he wrote the lyrics of this song in Kansas Urban center on Thanksgiving Mean solar day, November 25, 1965, while on tour.[8] All the same, subsequently listening to the recording session tapes of Dylan at work on this vocal in the Nashville studio, historian Sean Wilentz has written that Dylan improvised the lyrics in the studio, by singing "disconnected lines and semi-gibberish". Dylan was initially unsure what the person described in the song does that is merely like a adult female, rejecting "shakes", "wakes", and "makes mistakes". The improvisational spirit extends to the band attempting, in their fourth accept, a "weird, double-time version", somewhere betwixt Jamaican ska and Bo Diddley.[ix]

Clinton Heylin has analyzed successive drafts of the song from the so-chosen Blonde On Blonde papers, papers that Heylin believes were either left backside by Dylan or stolen from his Nashville hotel room.[10] The beginning typhoon has a complete first verse, a single couplet from the second poetry, and some other couplet from the tertiary verse. There is no trace of the chorus of the song. In successive drafts, Dylan added sporadic lines to these verses, without ever writing out the chorus. This leads Heylin to speculate that Dylan was writing the words while Al Kooper played the melody over and over on the piano in the hotel room, and the chorus was a "last-minute formulation in the studio".[11] Kooper has explained that he would play piano for Dylan in his hotel room, to assistance the song-writing process, and and then would teach the tunes to the studio musicians at the recording sessions.[12]

The primary take of "Only Similar a Woman" was produced by Bob Johnston and recorded at Columbia Studios, Nashville, Tennessee on March 8, 1966, during the recording of Blonde on Blonde, Dylan's seventh studio album.[13] The song features a lilting tune, backed by delicately picked nylon-string guitar and piano instrumentation, resulting in arguably the virtually commercial runway on the album.[four] The musicians bankroll Dylan on the track include Charlie McCoy, Joseph A. Souter Jr., and Wayne Moss on guitar, Henry Strzelecki on bass guitar, Hargus "Pig" Robbins on piano, Al Kooper on organ and Kenny Buttrey on drums.[4] [14] Although Dylan's regular guitar sideman, Robbie Robertson, was present at the recording session, he did non play on the song.[4]

This exploration of female wiles and feminine vulnerability was widely rumored—"not least by her acquaintances among Andy Warhol'south Manufacturing plant retinue"—to be nigh Edie Sedgwick.[15] The reference to Baby'south penchant for "fog, amphetamine and pearls" suggests Sedgwick or some similar debutante, co-ordinate to Heylin.[eleven] "Just Like a Adult female" has also been rumored to accept been written about Dylan's relationship with fellow folk vocalist Joan Baez.[four] In item, information technology has been suggested that the lines "Please don't let on that y'all knew me when/I was hungry and it was your globe" may refer to the early days of their human relationship, when Baez was more than famous than Dylan.[iv]

Discussing whether the biographical ground of this song is important, literary critic Christopher Ricks has argued, "Anybody can understand the feelings and the human relationship described in the song, so why does information technology affair if Dylan wrote it with one adult female in mind?"[xvi]

In addition to its advent on Blonde on Blonde, "Just Like a Woman" also appears on several Dylan compilations, including Bob Dylan'south Greatest Hits, Masterpieces, Biograph, The Best of Bob Dylan, Vol. 1, The Essential Bob Dylan, and Dylan.[4]

The "Simply Similar a Woman" recording session was released in its entirety on the 18-disc Collector'south Edition of The Homemade Series Vol. 12: The Cutting Edge 1965–1966 in 2015, with highlights from the outtakes appearing on the six-disc and ii-disc versions of that album.[17]

Live recordings of the song have been included on Earlier the Flood (recorded Feb 1974), Bob Dylan at Budokan (recorded March 1978), The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert (recorded May 1966), The Bootleg Series Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue (recorded November 1975), and the Deluxe Edition of The Bootleg Series Vol. thirteen: Problem No More 1979–1981 (recorded June 1981).[iv] In November 2016, all Dylan'southward recorded live performances of the song from 1966 were released in the boxed set up The 1966 Live Recordings, with the May 26, 1966 performance released separately on the album The Real Royal Albert Hall 1966 Concert. In June 2019, five live performances of the song from the 1975 Rolling Thunder Revue bout were released in the box set The Rolling Thunder Revue: The 1975 Live Recordings.

Dylan performed the song at George Harrison and Ravi Shankar's Concert for Bangladesh in 1971, and his performance is featured on the Concert for Bangladesh anthology and film.

Alleged sexism [edit]

The song has been criticized for supposed sexism or misogyny in its lyrics.[iv] [18] Alan Rinzler, in his book Bob Dylan: The Illustrated Record, describes the song every bit "a devastating graphic symbol assassination...the most sardonic, nastiest of all Dylan'due south putdowns of former lovers."[xix] In 1971, New York Times writer Marion Meade wrote that "there's no more than complete catalogue of sexist slurs," and went on to note that in the vocal Dylan "defines women's natural traits as greed, hypocrisy, whining and hysteria."[18] [20] Dylan biographer Robert Shelton noted that "the title is a male person platitude that justifiably angers women," although Shelton believed that "Dylan is ironically toying with that cliché."[xviii]

Countering allegations of misogyny, music critic Paul Williams, in his book Bob Dylan: Performing Artist, Volume One 1960–1973, pointed out that Dylan sings in an appreciating tone from outset to end.[19] He further comments on Dylan's singing by saying that "in that location's never a moment in the vocal, despite the little digs and the confessions of pain, when you tin't hear the beloved in his phonation."[19] Williams too contends that a key theme of the vocal is the power that the woman described in the lyrics has over Dylan, as evidenced by the lines "I was hungry and it was your earth."[19]

Beak Janovitz, in his AllMusic review, has noted that in the context of the song, Dylan "seems on the defensive...as if he has been defendant of causing the adult female'south breakdown. Just he takes some of the blame besides; he was conspicuously taken past the woman at first, but apparently matured a little and saw through 'her fog, her amphetamine, and her pearls.'" Janovitz concludes past noting that "It is certainly not misogynist to wait at a personal relationship from the signal of view of one of those involved, be it man or woman. At that place is nothing in the text to propose that Dylan has a disrespect for, much less an irrational hatred of, women in general."[4] Similarly, Christopher Ricks asks, "could at that place e'er be any challenging art about men and women where the accusation just didn't arise?"[21] Ricks has written that the speaker in the song seems to exist referring to a woman who occasionally plays the "little daughter card": "Someone who has times when she regresses to beingness artless—who can't alive upwards to the all-time function of herself."[xvi] Moreover, Gill has argued that the fundamental "delimitation" in the song is non between man and adult female, simply between woman and daughter, so the issue is one "of maturity rather than gender".[15]

Cash Box described the song equally "a irksome-shufflin' laconic ode which underscores just how much men need woman."[22]

Comprehend versions [edit]

"Just Like a Adult female" has been covered by a variety of different bands and artists, including Stevie Nicks, Radka Toneff, Roberta Flack, Dixie Carter, Manfred Mann, Nina Simone, the Byrds, Joe Cocker, the Hollies, Van Morrison, Jeff Buckley, Rod Stewart, Counting Crows, Gregg Allman, Hazel O'Connor, Richie Havens, Howard Hewett and Something Corporate.[23]

  • Gary Burton whose version is on his 1967 album Tennessee Firebird with Kenny Buttrey, Charlie McCoy, and Henry Strzelecki who all played on the original.
  • Manfred Mann and Jonathan King both released their versions of the song on July 29, 1966. The Manfreds version went to #10 on the United kingdom of great britain and northern ireland Singles Chart. Cash Box called it a "harsh, funk-filled reading."[24] King's version peaked at #56.
  • Joe Cocker included the song on his album With a Little Aid from My Friends, released in May 1969.
  • The Hollies covered "Just Like a Adult female" on their 1969 album Hollies Sing Dylan. In the Usa, the anthology was released by Epic Records under the name "Words And Music By Bob Dylan."
  • The Byrds recorded the song twice: once in 1970 during sessions for their (Untitled) album and once again in 1971 during sessions for Byrdmaniax.[25] [26] Even so, both versions went unreleased at the time, with the 1970 recording first appearing on the 1990 Byrds box set[27] and the 1971 version being included as a bonus track on the remastered Byrdmaniax CD in 2000.[26]
  • Roberta Flack covered "But Similar a Woman" on her 1970 album Affiliate Two.
  • Ricky Nelson covered "Only Similar a Woman" on his 1971 album Rudy the 5th.
  • Nina Simone released a encompass version with slightly altered lyrics on her 1971 cover-album Here Comes the Sun.
  • Howard Hewett covered "Only Similar a Woman" on his 1992 anthology Allegiance [28]
  • Guitarist Pecker Frisell covered the song, strictly as an instrumental, on his album Take a Niggling Faith in 1992.
  • Jeff Buckley covered the song in his 1993 album Alive at Sin-é
  • The Panics covered the vocal for the anthology Cruel Guards in 2007.
  • Charlotte Gainsbourg and Calexico covered the song for the 2007 Bob Dylan biopic I'thou Not In that location.
  • Mick Jagger sang the song at Fifty'Wren Scott'due south memorial service in 2014.[29]
  • Charlie Daniels covered the vocal in his 2022 album "Off the Grid - Doin' It Dylan"[xxx]

Footnotes [edit]

  1. ^ Neal Walters, Brian Mansfield, MusicHound Folk: The Essential Album Guide (Visible Ink Press, 1998), ISBN , pp. 239.
  2. ^ "Just Like a Woman". AllMusic.
  3. ^ "10 Greatest Bob Dylan Songs". Rolling Stone. Baronial 29, 2019. Retrieved November 29, 2019.
  4. ^ a b c d e f g h i j "Just Like a Woman review and anthology appearances". AllMusic. Retrieved 2009-12-03 .
  5. ^ "Bob Dylan Billboard Singles". AllMusic. Retrieved 2010-03-10 .
  6. ^ Brown, Tony. (2000). The Complete Book of the British Charts. Omnibus Press. p. 545. ISBN0-7119-7670-8.
  7. ^ "Rolling Stone's 500 Greatest Songs of All Time". Archived from the original on 2011-11-01. Retrieved 2011-07-25 .
  8. ^ Biograph, 1985, Liner notes & text by Cameron Crowe.
  9. ^ Wilentz 2009, p. 122
  10. ^ Heylin 2009, p. 299
  11. ^ a b Heylin 2009, pp. 303–304
  12. ^ Gill 1998, p. 94
  13. ^ Heylin, Clinton. (1997). Bob Dylan: The Recording Sessions 1960–1994. St. Martin'southward Griffin. p. 46. ISBN0-312-15067-9.
  14. ^ Björner, Olof (June 3, 2011). "ninth Blonde on Blonde session, March 8, 1966". bjorner.com. Retrieved July 27, 2011.
  15. ^ a b Gill 1998, pp. 102–103
  16. ^ a b Rietberg, Katherine (February 9, 2011). "BU professor visits Barnard, discusses Bob Dylan and misogyny". Columbia Spectator. Archived from the original on January 2, 2013. Retrieved July 25, 2011.
  17. ^ "Bob Dylan – The Cutting Edge 1965–1966: The Homemade Series Vol. 12". Archived from the original on 2016-02-07. Retrieved 2015-11-29 .
  18. ^ a b c Shelton, Robert. (1997) [1986]. No Direction Home. Da Capo Press. p. 323. ISBN0-306-80782-3.
  19. ^ a b c d Williams, Paul. (1990). Bob Dylan: Performing Artist, Volume I 1960–1973. Xanadu Publications Ltd. pp. 190–191. ISBN1-85480-044-2.
  20. ^ Trager, Oliver. (2004). Keys to the Rain: The Definitive Bob Dylan Encyclopedia. Billboard Books. pp. 347–348. ISBN0-8230-7974-0.
  21. ^ Ricks, Christopher (January xxx, 2009). "Just Similar a Man? John Donne, T.S. Eliot, Bob Dylan, and the Accusation of Misogyny". MBL. Archived from the original on September 27, 2011. Retrieved July 25, 2011.
  22. ^ "CashBox Record Reviews" (PDF). Cash Box. September three, 1966. p. 18. Retrieved 2022-01-12 .
  23. ^ "Just Like a Woman – Cover Versions". AllMusic. Archived from the original on March ten, 2010. Retrieved 2010-03-10 .
  24. ^ "CashBox Tape Reviews" (PDF). Cash Box. August 13, 1966. p. 24. Retrieved 2022-01-12 .
  25. ^ Rogan, Johnny. (1998). The Byrds: Timeless Flight Revisited (2d ed.). Rogan House. p. 629. ISBN0-9529540-i-10.
  26. ^ a b Rogan, Johnny. (2000). Byrdmaniax (2000 CD liner notes).
  27. ^ Rogan, Johnny. (1998). The Byrds: Timeless Flight Revisited (second ed.). Rogan Business firm. pp. 443–444. ISBN0-9529540-1-X.
  28. ^ "Merely Like a Woman – Howard Hewett | Vocal Info". AllMusic. 2001-06-05. Retrieved 2016-09-29 .
  29. ^ "Mick Jagger Sings Bob Dylan's 'Merely Like a Woman' at 50'Wren Scott Memorial". Billboard. Associated Press. May 2, 2014. Retrieved August 11, 2014.
  30. ^ "Album Spotlight: Off the Grid - Doin' Information technology Dylan".

References [edit]

  • Gill, Andy (1998). Classic Bob Dylan: My Dorsum Pages. Carlton. ISBNane-85868-599-0.
  • Heylin, Clinton (2009). Revolution In The Air: The Songs of Bob Dylan, Book One: 1957–73. Constable. ISBN978-1-84901-051-1.
  • Wilentz, Sean (2009). Bob Dylan In America. The Bodley Head. ISBN978-one-84792-150-5.

External links [edit]

  • Lyrics – Official Site

norrisusts1952.blogspot.com

Source: https://en.wikipedia.org/wiki/Just_Like_a_Woman

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